Transmission~ is a series of immersive audiovisual works that explore the symbiotic relationship between synthetic sound and abstract animation. Inspired by the poetic musings of physicist Richard P. Feynman, these works delve into the realms of algorithmic systems, sonic evolution and visual transformation.
Drawing on Feynman’s reflections on the self-replicating nature of molecules, Transmission~ envisions a world where sound and visuals emulate the organic processes of life. Through the seamless interplay of algorithmically generated soundscapes and constantly evolving abstract animations, the works echo the dynamic dance of atoms, the birth of molecules and the intricate complexity of life forms.
Luis Sanz is a multidisciplinary artist working with synthetic sounds, computer graphics and physical audiovisual experiences. As an artist, Sanz develops installations that focus on the relationships between bodies and spaces, creating acoustic-imaginary dimensions that combine video, spatial sound, light and field recordings. As a musician, Sanz uses programming languages to develop rhythmic techniques and algorithmic processes of modulation and pattern generation in digital and analogue devices. His sonic works integrate noise, rhythms, processed field recordings and extreme computer music. Sanz has co-founded Fakedac~, an algorithmic art platform based in England, and Amarus, an experimental music network based in Switzerland. He has performed in Asia, Europe and Latin America with the electroacoustic noise duo Noijzu and as a solo artist. Sanz holds a BA in Art and an MA in Contemporary Art Practice from the Hochschule der Künste in Bern, Switzerland.
In recent years, his works are shown across the world at international festivals and venues including A Bunch of Noise (Shanghai CN) / Twenty Alpha (Hong Kong HK) / Chaos Non Musica (Bali ID) / 24D SPACE (Chengdu CN) / JAR (Xi’an CN) / DDC (Beijing CN) / 316centro (Mexico City MX) / Vernacular Institute (Mexico City MX) / Tecnológico de Monterrey (Monterrey MX) / Jogja Noise Bombing (Yogyakarta ID) / Ruang Gulma (Yogyakarta ID) / IKLECTIK (London UK) / Myanmart Gallery (Yangon, MM) / Sonorities (Belfast GB-NIR) / The Wire 40 X ESS (Chicago US) / CASo (Buenos Aires AR) / Frestas (RÃo de Janeiro BR) / Porta (São Paulo BR) / Klang Moor Schopfe, Biennale für Audiovisuelle Kunst (Hochmoor Gais CH) / Volumens (Valencia ES) / Berlin Atonal (Berlin DE) / CTM (Berlin DE) / Espacio Espositivo (Madrid ES) / Node (Lausanne CH) / International Film Festival (Rotterdam NL) / M4Music (Zürich CH) / Circles of Light (Moscow RU) / Mapping (Geneva CH) / Mira (Barcelona ES) / Proyecto AMIL (Lima PE) / Corsica Studios (London UK) / Centras (Kaunas LT) / Centre for Narrative Practice (Pristina XK) / OKC AbraÅ¡ević (Mostar BA).
